Back to Acknowledgements

Acknowledgments for EXPLORING Short Stories:

Periodicals        Books

Performers

Our thanks to Cynthia Blaise, Assistant Professor, Wayne State University Department of Theatre, Detroit, Michigan, for directing readings from stories, and to the following performers for their readings: Kathryn McGill, Director, Oklahoma Shakespeare in the Park, and Judith Annozine, David Haig, Karl Kippola, and Donis Leonard of the Hillberry Theatre, Wayne State University Department of Theatre, Detroit, Michigan.

Periodicals  Back to Top

COPYRIGHTED EXCERPTS IN EXPLORING Short Stories WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The Antioch Review, v. XXV, Fall, 1965. Copyright © 1965 by The Antioch Review Inc. Reproduced by permission of the Editors.

Arizona Quarterly, v. 42, Winter, 1986, for "Imagery as Action in 'The Beast in the Jungle'," by James W. Gargano. Copyright © 1986 by Arizona Quarterly. Reproduced by permission of the publisher and the Literary Estate of James W. Gargano.

Ball State University Forum, v. XXIII, Winter, 1982. © 1982 Ball State University. Reproduced by permission.

The Baker Street Journal, n. s. v. 29, September, 1969, for "Sherlock Holmes: Victorian Archetype," by Gordon L. Iseminger. © Copyright 1969 by The Baker Street Irregulars. All rights reserved. Reproduced by permission of the author.

Belles Lettres: A Review of Books by Women, v. 10, Summer, 1995. Reproduced by permission.

Black American Literature Forum, v. 18, Fall, 1984, for "Black Brutes and Mulatto Saints: The Racial Hierarchy of Stein's 'Melanctha'," by Milton A. Cohen. Copyright © 1984 Indiana State University. Reproduced by permission of Indiana State University and the author.

The Boston Globe, July 19, 1995. © 1995 Globe Newspaper Co. Reproduced courtesy of The Boston Globe.

Bulletin of Hispanic Studies, v. LIV, April, 1977. Copyright © 1977 Liverpool University Press. Reproduced by permission.

The CEA Critic, v. XXIX, March, 1967. Copyright © 1967 by the College English Association, Inc. Reproduced by permission.

CLA Journal, v. XX, September, 1968; v. XIV, March, 1971; v. XXXVII, June, 1994. Copyright 1968, 1971, 1994 by The College Language Association. All used by permission of The College Language Association.

Classical and Modern Literature, v. 10, Summer, 1990. © 1990 CML, Inc. Reproduced by permission.

Colby Library Quarterly, v. XXI, March, 1985; v. XXII, March, 1986. Both reproduced by permission.

College English, v. 23, May, 1962, for "Point of View in 'The Secret Sharer'," by Charles G. Hoffmann; v. 27, December, 1965, for "Faulkner's Poetic Prose: Style and Meaning in 'The Bear'," by Richard Lehan. Copyright © 1962, 1965 by the National Council of Teachers of English. Both reproduced by permission of the publisher and the respective authors.

College Literature, v. VII, Spring, 1980; v. XIV, 1987; v. XVI, 1989. Copyright © 1980, 1987, 1989 by West Chester University. All reproduced by permission.

Commonweal, v. CXII, September 20, 1985. Copyright © 1985 Commonweal Foundation. Reproduced by permission of Commonweal Foundation.

Comparative Literature Studies, v. 21, Winter, 1984. Copyright © 1984 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.

Conradiana, v. XVIII, 1986, for "Shared Secret or Secret Sharing in Joseph Conrad's 'The Secret Sharer'," by Mary Ann Dazey. Reproduced with permission of Texas Tech University Press and the author.

Crazyhorse, v. 29, Fall, 1985, for "Bobbie Ann Mason: A Conversation with Lila Havens," by Lila Havens. Copyright 1985 by the University of Arkansas at Little Rock. Reproduced by permission.

Critical Inquiry, v. 1, September, 1974, for "Artists on Criticism of Their Art: 'Is Phoenix Jackson's Grandson Really Dead?'," © by Eudora Welty. Copyright © 1974 by The University of Chicago. Copyright © 1974 Eudora Welty. Reproduced by permission of Russell & Volkening as agents for the author. British Commonwealth text rights by Little Brown & Company (UK) Ltd.

Criticism, v. XII, Spring, 1970, for "Edith Wharton's Ghost Stories," by Margaret B. McDowell. Copyright 1970, Wayne State University Press. Reproduced by permission of the publisher and the author.

Critique: Studies in Contemporary Fiction, v. XXXI, Fall, 1989. Copyright 1989 by Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.

Cuyahoga Review, v. 1, Fall, 1983. Reproduced by permission.

Delta, May, 1982, for "A Different Responsibility: Form and Technique in G. Paley's 'A Conversation with My Father'," by Nicholas Peter Humy. Reproduced by permission of the author.

Doris Lessing Newsletter, v. 9, Spring, 1985. © 1985 by Brooklyn College, The City University of New York. Reproduced by permission.

English Journal, v. 54, April, 1965, for "The Allusions in 'The Secret Life of Walter Mitty'," by James Ellis; v. 55, December, 1966, for " 'The Jilting of Granny Weatherall': The Discovery of Pattern," by Laurence A. Becker; v. 56, December, 1967, for "The Architecture of Walter Mitty's Secret Life," by Carl Sundell; v. 62, April, 1973, for " 'A Worn Path': Immortality of Stereotype," by Dan Donlan. Copyright © 1965, 1966, 1967, 1973 by the National Council of Teachers of English. All reproduced by permission of the publisher and the respective authors.

English Language Notes, v. XXVIII, September, 1990; v. XXIX, September, 1991; v. XXVI, December, 1991. All reproduced by permission.

Essays in Literature, v. XV, Fall, 1988. Copyright 1988 by Western Illinois University. Reproduced by permission.

The Explicator, v. 43, Fall, 1984, for "Bierce's 'An Occurrence at Owl Creek Bridge'," by George Cheatham and Judy Cheatham. Copyright 1984 by Helen Dwight Reid Educational Foundation. Reproduced by permission of the authors; v. XII, March, 1954; v. XXIV, September, 1965; v. 32, May, 1974; v. 40, Spring, 1982; v. 42, Summer, 1984; v. 45, Fall, 1986; v. 45, Winter, 1987; v. 46, Spring, 1988; v. 48, Summer, 1990; v. 50, Fall, 1991; v. 51, Winter, 1993; v. 51, Spring, 1993; v. 62, Winter, 1994. Copyright 1954, 1965, 1974, 1982, 1984, 1986, 1987, 1988, 1990, 1991, 1993, 1994 by Helen Dwight Reid Educational Foundation. All reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.

The Faulkner Journal, v. IV, Spring, 1991. Reproduced by permission.

The French Review, v. XLVI, February, 1973, for "The Symbolic Decor of 'The Guest'," by Paul Fortier. Copyright 1973 by the American Association of Teachers of French. Reproduced by permission.

The Georgia Review, v. XXVIII, Summer, 1974. Copyright, 1974, by the University of Georgia. Reproduced by permission.

Hemingway Notes, v. V, Spring, 1980. Reproduced by permission.

The Hemingway Review, v. I, Fall, 1981; v. II, Spring, 1983; v. XI, Fall, 1991. Copyright 1981, 1983, 1991 by The Ernest Hemingway Foundation. All reproduced by permission of the publisher.

The Hudson Review, v. XXXVIII, Summer, 1985. Copyright © 1985 by The Hudson Review, Inc. Reproduced by permission.

Indian Journal of American Studies, v. 4, June & December, 1974. Copyright © 1974 by American Studies Research Centre. Reproduced by permission.

James Joyce Quarterly, v. 7, Summer, 1970. Copyright, 1970, The University of Tulsa. Reproduced by permission.

Journal of American Culture, v. 15, Summer, 1992. Copyright © 1992 by Ray B. Browne. Reproduced by permission.

The Journal of Commonwealth Literature, v. XXIV, 1989, for "Myth, Exile, and the Female Condition: Bessie Head's 'The Collector of Treasures'," by Sara Chetin. Copyright by the author. Reproduced with the kind permission of Bowker-Saur, a division of Reed-Elsevier (UK) Ltd.

The Journal of General Education, v. 28, Spring, 1976. Copyright 1976 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.

Journal of Modern Literature, v. 11, July, 1984; v. 13, March, 1986. © Temple University, 1984, 1986. Both reproduced by permission.

The Journal of Narrative Technique, v. 5, January, 1975 for " 'Don't You Know Who I Am': The Grotesque in Oates's 'Where Are You Going, Where Have You Been?'," by Joyce M. Wegs. Copyright © 1975 by The Journal of Narrative Technique. Reproduced by permission of the publisher and the author.

Journal of the Southwest, v. 30, Autumn, 1988. Copyright © 1988 by the Arizona Board of Regents. All rights reserved. Reproduced by permission.

Kansas Quarterly, v. 9, Spring, 1977, for "The Vagaries of Taste and Peter Taylor's 'A Spinster's Tale'," by Jan Pinkerton; v. 14, Spring, 1982, for "Structural Metaphors in Fitzgerald's Short Fiction," by William J. Brondell. © Copyright 1977, 1982, by the Kansas Quarterly. Both reproduced by permission of the publisher and the respective authors.

Kentucky Romance Quarterly, v. 26, 1979; v. 30, 1983. Copyright © 1979, 1983 Helen Dwight Reid Educational Foundation. Both reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.

The Langston Hughes Review, v. XII, 1993. Copyright 1993 by The Langston Hughes Society. Reproduced by permission.

Linguistics in Literature, v. 2, 1977. Reproduced by permission.

Literature and Psychology, v. XXXIII, 1987; v. XXXX, 1994. © Literature and Psychology 1987, 1994. Both reproduced by permission.

Literature/Film Quarterly, v. 10, 1982. Reproduced by permission.

Mark Twain Journal, v. XX, Winter, 1979-80. Reproduced by permission.

The Markham Review, v. 8, Spring, 1979; v. 11, Winter, 1982. © Wagner College 1979, 1982. Both reproduced by permission.

MELUS, v. 5, Winter, 1978; v. 12, Fall, 1985. Copyright 1978, 1985 MELUS, The Society for the Study of Multi-Ethnic Literature of the United States, 1980. Both reproduced by permission of the publisher.

The Midwest Quarterly, v. 6, July, 1965. Copyright, 1965, by The Midwest Quarterly, Pittsburg State University. Reproduced by permission.

The Mississippi Quarterly, v. XXVIII, Winter, 1974-75; v. 40, Winter, 1986-87. Copyright 1975, 1987 Mississippi State University. Both reproduced by permission.

The Missouri Review, v. 16, 1993. Copyright © 1991 by The Curators of the University of Missouri. Reprinted by permission of the publisher and the American Audio Prose Library, Inc. Copyright © 1992 by The American Audio Prose Library, Inc. This is a print version of an interview which is available on audiocassette. For a free catalog write AAPL, P.O. Box 842, Columbia, MO 65205 or call (800) 447-2275.

Modern Fiction Studies, v. X, Spring, 1964; v. X, Winter, 1964-65; v. XVII, Winter, 1971-72; v. 35, Winter, 1989; v. 36, Spring, 1990. © The Johns Hopkins University Press. All rights reserved. All reproduced by permission of the Johns Hopkins University Press.

Modern Language Studies, v. XV, Fall, 1985, for "The Structure of 'Araby'," in Modern Language Studies. Copyright, Northeast Modern Language Association, 1985. Reproduced by permission of the publisher and the author.

The Nathaniel Hawthorne Journal, 1973, for "The Woe That Is Madness: Goodman Brown and the Face of the Fire," by Robert E. Morsberger. Copyright © 1973 by Bruccoli Clark Publishers, Inc. Reproduced by permission of the author.

Negro American Literature Forum, v. 8, Fall, 1974, for "James Baldwin's Sonny Blues: A Message in Music," by Suzy Berstein Goldman. Copyright © Indiana State University 1974. Reproduced with the permission of Black American Literature Forum and the author; v. 10, Spring, 1976. Copyright © Indiana State University 1976. Reproduced with the permission of Black American Literature Forum.

New England Quarterly, v. XLIII, September, 1970, for "The Forest of Goodman Brown's Night: A Reading of Hawthorne's 'Young Goodman Brown'," by Reginald Cook. Copyright © 1970 by The New England Quarterly. Reproduced by permission of the publisher and the Literary Estate of Reginald Cook.

New York Folklore Quarterly, v. XXIV, December, 1968. Copyright 1968 by the New York Folklore Society. Reproduced by permission.

The New York Times Book Review, September 23, 1984; April 28, 1985. Copyright © 1984, 1985 by The New York Times Company. Both reproduced by permission.

Nineteenth-Century Fiction, v. 19, March, 1965, for "Poe's 'The Tell-Tale Heart'," by E. Arthur Robinson; v. 24, September, 1969, for "The Minister's Black Veil," by W. B. Carnochan. © 1965, 1969 by The Regents of the University of California. Both reproduced by permission of The Regents and the respective authors.

Papers on Language & Literature, v. 23, Winter, 1987. Copyright © 1987 by the Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.

Partisan Review, v. XLVIII, 1981, for "Mrs. Hegel-Shtein's Tears," by Marianne DeKoven. Copyright © 1981 by Partisan Review. Reproduced by permission of the author.

Renascence, v. XXI, Autumn, 1968; v. XXIV, Summer, 1972; v. XLV, Summer, 1993. © Copyright 1968, 1972, 1993, Marquette University Press. All reproduced by permission.

The Review of Contemporary Fiction, v. 14, Fall, 1994. Copyright, 1994, by John O'Brien. Reproduced by permission.

San Jose Studies, v. 9, Winter, 1983 for "The Importance of Food in 'One Day in the Life of Ivan Denisovich'," by Alfred Cismaru. © San Jose State University Foundation, 1983. Reproduced by permission of the publisher and the author.

The Serif, v. V, June, 1968. Copyright © 1968 by The Kent State University Libraries. Reproduced by permission.

The Sewanee Review, v. LXXI, 1963, for "Life for Phoenix," by Neil D. Isaacs. © 1963, renewed 1991 by The University of the South. Reproduced with the permission of the editor of The Sewanee Review and the author.

Shenandoah, v. XXXII, 1981, for an interview with Grace Paley by Joan Lidoff. Copyright 1981 by Washington and Lee University. Reproduced from Shenandoah with the permission of the Editor and the Literary Estate of Joan Lidoff.

Slavic and East-European Journal, v. 5, Winter, 1961; v. 21, Spring, 1977. © 1961, 1977 by AATSEEL of the U.S., Inc. Both reproduced by permission.

The Slavic Review, v. 30, December, 1971. Copyright © 1971 by the American Association for the Advancement of Slavic Studies, Inc. Reproduced by permission of the publisher.

Southern Humanities Review, v. VII, Summer, 1973. Copyright 1973 by Auburn University. Reproduced by permission.

The Southern Literary Journal, v. 18, Spring, 1986; v. 19, Fall, 1986; v. XXII, Fall, 1989; v. 25, Fall, 1992; v. 25, Spring, 1994. Copyright 1986, 1989, 1992, 1994 by the Department of English, University of North Carolina at Chapel Hill. All reproduced by permission.

Southern Literary Review, v. 21, Spring, 1989. Copyright 1989 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.

The Southern Quarterly, v. 26, Spring, 1988. Copyright © 1988 by the University of Southern Mississippi. Reproduced by permission.

The Southern Review, Louisiana State University, v. 21, July, 1985, for "Patches: Quilts and Community in Alice Walker's 'Everyday Use'," by Houston A. Baker, Jr. and Charlotte Pierce-Baker. Copyright, 1985, by the authors. Reproduced by permission of the authors.

Southwest Review, v. XLI, Summer, 1956. © 1956 Southern Methodist University. Reproduced by permission.

Soviet Studies, v. XVI, July, 1964. © 1964 The University of Glasgow. All rights reserved. Reproduced by permission of Carafax Publishing Company, PO Box 25, Abingdon, Oxfordshire, OX14 3UE, United Kingdom.

Studies in American Fiction, v. 16, Autumn, 1988; v. 18, Spring, 1990. Copyright © 1988, 1990 Northeastern University. Both reproduced by permission.

Studies in Short Fiction, v. I, Fall, 1963; v. II, Fall, 1964; v. III, Spring, 1966; v. 3, Summer, 1966; v. 5, Fall, 1967; v. 6, Fall, 1969; v. 7, Fall, 1970; v. 10, Winter, 1973; v. 10, Fall, 1973; v. 12, Spring, 1975; v. 14, Summer, 1977; v. 14, Fall, 1977; v. 15, Spring, 1978; v. 15, Fall, 1978; v. 17, Fall, 1980; v. 18, Summer, 1981; v. 19, Winter, 1982; v. 19, Fall, 1982; v. 20, Spring/Summer, 1983; v. 20, Fall, 1983; v. 22, Spring, 1985; v. 23, Summer, 1986; v. 24, Fall, 1987; v. 25, Winter, 1988; v. 26, Fall, 1989; v. 27, Spring, 1990; v. 27, Summer, 1990; v. 27, Fall, 1990; v. 28, Fall, 1991; v. 29, Winter, 1992; v. 29, Summer, 1992; v. 30, Winter, 1993; v. 30, Summer, 1993; v. 31, Winter, 1994. Copyright 1963, 1964, 1966, 1967, 1969, 1970, 1973, 1975, 1977, 1978, 1980, 1981, 1982, 1983, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994 by Newberry College. All reproduced by permission.

Studies in the Humanities, v. 3, 1972. Reproduced by permission.

Studies in the Novel, v. III, Summer, 1971. Copyright 1971 by North Texas State University. Reproduced by permission.

Tennessee Folklore Society Bulletin, v. XL, June, 1974. Reproduced by permission.

Texas Studies in Literature and Language, v. 20, Winter, 1978. Copyright © 1978 by the University of Texas Press. Reproduced by permission of the publisher.

The University of Mississippi Studies in English, n.s. v. IX, 1991. Copyright © 1991 The University of Mississippi. Reproduced by permission.

The USF Language Quarterly, v. XV, Spring-Summer, 1977. Reproduced by permission.

University of Toronto Quarterly, v. XVII, January, 1949, for "A Key to 'The House of Usher'," by Darrel Abel. Reproduced by permission of University of Toronto Press Incorporated and the author.

Women's Studies: An Interdisciplinary Journal, v. 20, 1991. © Gordon and Breach Science Publishers. Reproduced by permission.

Books  Back to Top

COPYRIGHTED EXCERPTS IN EXPLORING Short Stories WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Amon, Frank. From The Achievement of D. H. Lawrence. Edited by Frederick J. Hoffman and Harry T. Moore. University of Oklahoma Press, 1953. Copyright 1953 by the University of Oklahoma Press. Renewed 1981 by Beatrice Moore. Reproduced by permission.

Arnold, Marilyn. From Willa Cather's Short Fiction. Ohio University Press, 1984. © Copyright 1984 by Marilyn Arnold. All rights reserved. Reproduced by permission of the author.

Baker, Carlos. From "When the Story Ends: 'Babylon Revisited'," in The Short Stories of F. Scott Fitzgerald: New Approaches in Criticism. Edited by Jackson R. Bryer. The University of Wisconsin Press, 1982. Copyright © 1982 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.

Balogun, F. Odun. From Tradition and Modernity in the African Short Story: An Introduction to a Literature in Search of Critics. Greenwood Press, 1991. Copyright © 1991 by F. Odun Balogun. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

Bell, Millicent. From Meaning in Henry James. Cambridge, Mass.: Harvard University Press, 1991. Copyright © 1991 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission.

Bell-Villada, Gene H. From Garcia Marquez: The Man and His Work. The University of North Carolina Press, 1990. © 1990 The University of North Carolina Press. All rights reserved. Used by permission of the publisher.

Bellamy, Gladys. From "The Art of 'The Jumping Frog'," in Mark Twain as a Literary Artist. Edited by Elizabeth McMahan. Copyright 1950 by the University of Oklahoma Press. Reproduced by permission.

Bergonzi, Bernard. From The Early H. G. Wells: A Study of the Scientific Romances. Manchester University Press, 1961. © 1961 Bernard Bergonzi. Reproduced by permission of The Peters Fraser & Dunlop Group Limited on behalf of Bernard Bergonzi.

Black, Michael. From D. H. Lawrence: The Early Fiction. Cambridge University Press, 1986. © Michael Black, 1986. Reproduced with permission of the publisher and the author. Any reproduction or copying of this material in any format, beyond single copying by an individual for personal use, must first receive the written consent of Cambridge University Press.

Blackwell, Louise. From "Jean Toomer's 'Cane' and Biblical Myth," in Jean Toomer: A Critical Evaluation. Edited by Therman B. O'Daniel. Howard University Press, 1988. Copyright © 1988 by the College Language Association. All rights reserved. Reproduced by permission of The College Language Association.

Blansfield, Karen Charmaine. From Cheap Rooms and Restless Hearts: A Study of Formula in the Urban Tales of William Sydney Porter. Bowling Green State University Popular Press, 1988. Copyright © 1988 by Bowling Green State University Popular Press. Reproduced by permission.

Bone, Robert. From Down Home: A History of Afro-American Short Fiction from Its Beginnings to the End of the Harlem Renaissance. Columbia University Press, 1988. Copyright © 1975 by Columbia University Press. Copyright © 1975 by Robert Bone. All rights reserved. Reproduced with permission of the publisher.

Brooks, Cleanth and Robert Penn Warren. From Understanding Fiction. Edited by Cleanth Brooks and Robert Penn Warren. Second edition. Appleton-Century-Crofts, 1959. Copyright 1959, renewed 1987, by Appleton-Century-Crofts, Inc. All rights reserved. Adapted by permission of Prentice-Hall, Inc., Upper Saddle River, N. J.

Bruck, Peter. From The Black American Short Story in the 20th Century: A Collection of Critical Essays. Edited by Peter Bruck. B. R. Gruner Publishing Co., 1977. Copyright © by B. R. Gruner Publishing Co. Reproduced by permission.

Buchen, Irving H. From Isaac Bashevis Singer and the Eternal Past. New York University Press, 1968. © 1968 by New York University. Reproduced by permission.

Buckley, Jerome Hamilton. From The Triumph of Time: A Study of Victorian Concepts of Time, History, Progress, and Decadence. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1966. Copyright © 1966 by the President and Fellows of Harvard College. Excerpted by permission of the publishers.

Bus, Heiner. From "The Establishment of Community in Zora Neale Hurston's 'The Eatonville Anthology' (1926) and Roland Hinojosa's 'Estampas del vallee' (1973)," in European Perspectives on Hispanic Literature of the United States. Edited by Genevieve Fabre. Arte Publico Press, 1988. Copyright © 1988 by Arte Publico Press. Reproduced by permission.

Carroll, David. From Chinua Achebe. Second edition. St. Martin's Press, 1980. Copyright © David Carroll 1980. All rights reserved. Reproduced by permission of Macmillan Press Ltd. In North America with the permission of St. Martin's Press, Incorporated.

Cohen, Philip K. From The Moral Vision of Oscar Wilde. Fairleigh Dickinson University Press, 1978. © 1978 by Philip Kent Cohen. Reproduced by permission.

Connolly, Julian W. From Nabokov's Early Fiction: Patterns of Self and Other. Cambridge University Press, 1992. © Cambridge University Press 1992. Reprinted by permission of the publisher and the author. Any reproduction or copying of this material in any format, beyond single copying by an individual for personal use, must first receive the written consent of Cambridge University Press.

Cook, Richard M. From Carson McCullers. Frederick Ungar Publishing Co., 1975. Copyright © 1975 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.

Cooley, John R. From Savages and Naturals: Black Portraits by White Writers in Modern American Literature. University of Delaware Press, 1982. © by Associated University Presses, Inc. Reproduced by permission.

Debreczeny, Paul. From The Other Pushkin: A Study of Alexander Pushkin's Prose Fiction. Stanford University Press, 1983. © 1983 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permission.

Driessen, F. C. From "Gogol as a Short-Story Writer: A Study of His Technique of Composition," in Slavistic Printings and Reprintings. Edited by C. H. Van Schooneveld, translated by Ian F. Finlany. Mouton & Co., Publishers. Reproduced by permission of Mouton de Gruyter, a Division of Walter de Gruyter & Co.

Eldridge, Richard. From "The Unifying Images in Part One of Jean Toomer's 'Cane'," in Jean Toomer: A Critical Evaluation. Edited by Therman B. O'Daniel. Howard University Press, 1988. Copyright © 1988 by the College Language Association. All rights reserved. Reproduced by permission of The College Language Association.

Emrich, Wilhelm. From Franz Kafka: A Critical Study of His Writings. Frederick Ungar, 1968. Copyright © 1968 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.

Ewell, Barbara C. From Kate Chopin. Ungar, 1986. Copyright © 1986 by The Ungar Publishing Company. Reproduced by permission.

Ferguson, Moira. From Jamaica Kincaid: Where the Land Meets the Body. University Press of Virginia, 1994. Copyright © 1994 by the Rector and Visitors of the University of Virginia. Reproduced by permission.

Festa, Conrad. From Vonnegut in America: An Introduction to the Life and Work of Kurt Vonnegut. Edited by Jerome Klinkowitz and Donald L. Lawler. Delacorte Press/Seymour Lawrence, 1977. Copyright © 1977 by Jerome Klinkowitz and Donald L. Lawler. Reprinted by permission of Delacorte Press/Seymour Lawrence, a division of Bantam Double Dell Publishing Group, Inc.

Field, Andrew. From Nabokov: His Life in Art. Little, Brown and Company, 1967. Copyright © 1967 by Andrew Field. All rights reserved. Reproduced by permission of the author.

Gaar, Alice Carol. From "The Human as Machine Analog: The Big Daddy of Interchangeable Parts in the Fiction of Robert A. Heinlein," in Robert A. Heinlein. Edited by Joseph D. Olander and Martin Harry Greenberg. Taplinger Publishing Company, 1978. Copyright © 1978 by Joseph D. Olander and Martin Harry Greenberg. All rights reserved. Reproduced by permission of the author.

Garson, Helen S. From Truman Capote. Ungar, 1980. Copyright © 1980 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.

George, Albert J. From Short Fiction in France 1800-1850. Syracuse University Press, 1964. Copyright © 1964 by Syracuse University Press. All rights reserved. Reproduced by permission.

Gerlach, John. From "The Logic of Wings: Garcia Marquez, Todorov, and the Endless Resources of Fantasy," in Bridges to Fantasy. George E. Slusser, Eric S. Rabkin, and Robert Scholes, eds. Southern Illinois University Press, 1982. Copyright © 1982 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced with permission.

Giannone, Richard. From Flannery O'Connor and the Mystery of Love. University of Illinois Press, 1989. © 1989 by the Board of Trustees of the University of Illinois. Reproduced by permission of the author.

Gilbert, Elliot L. From The Good Kipling: Studies in the Short Story. Ohio University Press, 1970. Copyright © 1970 by Elliot L. Gilbert. Reproduced by permission of the Literary Estate of Elliot L. Gilbert.

Glicksberg, Charles I. From The Ironic Vision in Modern Literature. Martinus Nijhoff, 1969. © Copyright 1969 by Martinus Nijhoff. All rights reserved. Reproduced by permission of Kluwer Academic Publishers and the author.

Gordimer, Nadine. From an introduction to Selected Stories. J. Cape, 1975; The Viking Press, 1976. Copyright 1952, © 1956, 1957, 1959, 1960, 1961, 1964, 1965, 1968, 1969, 1971, 1975 by Nadine Gordimer. All rights reserved. Reproduced by permission by Nadine Gordimer. In North America and the Philippines by permission of Viking Penguin, a division of Penguin Books USA Inc. In the British Commonwealth by Random House UK Limited.

Greenberg, Martin. From The Terror of Art: Kafka and Modern Literature. Basic Books, Inc., 1968. © 1965, 1966, 1968 by Martin Greenberg. Reproduced by permission of the author.

Guiguet, Jean. From Virginia Woolf and Her Works. Harcourt, Brace, 1965. Copyright © 1962 by Jean Guiguet. Translation copyright © 1965 by The Hogarth Press. Renewed 1993 by Harcourt Brace & Company. Reproduced by permission of the Literary Estate of Virginia Woolf.

Guy-Sheftall, Beverly. From an interview in Sturdy Black Bridges. Roseann P. Bell, Bettye J. Parker, Beverly Guy-Sheftall, eds. Anchor Press/Doubleday, 1979. Copyright © 1979 by Roseann P. Bell, Bettye J. Parker, Beverly Guy-Sheftall. All rights reserved. Reproduced by permission of the author.

Hamblen, Abigail Ann. From The New England Art of Mary E. Wilkins Freeman. The Green Knight Press, 1966. © 1966. Reproduced by permission of the author.

Hammond, J. R. From H. G. Wells and the Short Story. St. Martin's Press, 1992. Copyright © J. R. Hammond 1992. All rights reserved. Reproduced by permission of Macmillan Press Ltd. In North America with permission of St. Martin's Press, Incorporated.

Hanson, Clare, and Andrew Gurr. From Katherine Mansfield. St. Martin's Press, 1981. Copyright © Clare Hanson and Andrew Gurr 1981. All rights reserved. Reproduced by permission of Macmillan Press Ltd. In North America with the permission of St. Martin's Press, Incorporated.

Hargrove, Nancy D. From Women Writers of the Contemporary South. Edited by Peggy Whitman Prenshaw. University Press of Mississippi, 1984. Copyright © 1984 by The Southern Quarterly. All rights reserved. Reproduced by permission.

Haynes, Roslynn D. From H. G. Wells: Discoverer of the Future: The Influence of Science on His Thought. New York University Press, 1980. © R. D. Haynes 1980. Reproduced by permission.

Hedrick, Joan D. From Solitary Comrade: Jack London and His Work. University of North Carolina Press, 1982. © 1982 The University of North Carolina Press. All rights reserved. Used by permission of the publisher.

Howe, Irving. From Sherwood Anderson. Stanford University Press, 1951. Copyright 1951 by the Board of Trustees of the Leland Stanford Junior University. Renewed 1979 by Irving Howe. Reproduced by permission of William Morrow & Co., Inc.

Innes, C. L. From Chinua Achebe. Cambridge University Press, 1990. © Cambridge University Press 1990. Reproduced with the permission of the publisher and the author. Any reproduction or copying of this material in any format, beyond single copying by an individual for personal use, must first receive the written consent of Cambridge University Press.

Jackson, Shirley. From "Biography of a Story," in Come Along with Me. Edited by Stanley Edgar Hyman. Viking Press, 1968. Copyright 1948, 1952, © 1960 by Shirley Jackson. Reproduced by permission of the Literary Estate of Shirley Jackson. In North America and the Philippines by permission of Viking Penguin, a division of Penguin Books USA Inc.

Joselyn, Sister M. From "Sherwood Anderson and the Lyric Story" in The Twenties: Poetry and Prose, 20 Critical Essays. Edited by Richard E. Langford and William E. Taylor. Everett Edwards, Inc., 1966. Copyright © 1966 Everett/Edwards, Inc. Reprinted by permission of Eileen Baldeshwiler.

Kazin, Alfred. From Contemporaries. Little, Brown and Company, 1962. Copyright © 1962 by Alfred Kazin. Reproduced by permission of the author.

Kloepfer, Deborah Kelly. From "The Daffodil Sky" in Reference Guide to Short Fiction. Edited by Noelle Watson. St. James Press, 1994. Copyright © 1994 St. James Press. All rights reserved. Reproduced by permission.

Knapp, Bettina L. From Stephen Crane. Ungar Publishing Company, 1987. Copyright © 1987 by The Ungar Publishing Company. All rights reserved. Reproduced by permission.

Langbaum, Robert. From The Gayety of Vision: A Study of Isak Dinesen's Art. Random House, 1965. © 1964, by Robert Langbaum. All rights reserved. Reproduced by permission of the author.

Lewallen, Avis. From " 'Wayward Girls but Wicked Women': Female Sexuality in Angela Carter's 'The Bloody Chamber' " in Perspectives in Pornography: Sexuality in Film and Literature. Edited by Gary Day and Clive Bloom. Macmillan Press, 1988, St. Martin's Press, 1988. © the Editorial Board, (Co-operative) Press Ltd. 1988. Copyright © Gary Day and Clive Bloom. All rights reserved. Reproduced by permission of Macmillan Press Ltd. In North America with permission of St. Martin's Press, Incorporated.

Lodge, David. From " 'Mrs. Bathurst': Indeterminacy in Motion" in Kipling Considered. Edited by Phillip Mallett. Macmillan Press, Ltd., 1989. © Phillip Mallett 1989. All rights reserved. Reproduced by permission of Macmillan Press Ltd.

Mangum, Bryant. From "Jamaica Kincaid" in Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Edited by Daryl Cumber Dance. Greenwood Press, 1986. Copyright © 1986 by Daryl Cumber Dance. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

Martin, Jay. From Harvests of Change: American Literature 1865-1914. Prentice-Hall, 1967. Copyright © 1967 by Prentice-Hall, Inc. All rights reserved. Reproduced by permission of the author.

McClintock, James I. From White Logic: Jack London's Short Stories. Wolf House Books, 1975. Copyright © 1975 by James I. McClintock. All rights reserved. Reproduced by permission of the author.

McNichol, Stella. From an introduction to Mrs. Dalloway's Party: A Short Story Sequence. By Virginia Woolf. Edited by Stella McNichol. Hogarth Press, 1973. Introduction © Stella McNichol 1973. All rights reserved. Reproduced by permission of the Literary Estate of Virginia Woolf and the Hogarth Press.

Meyerowitz, Selma. From " 'What Is to Console Us': The Politics of Deception in Woolf's Short Stories" in New Feminist Essays on Virginia Woolf. Edited by Jane Marcus. University of Nebraska Press, 1981. © Jane Marcus 1981. All rights reserved. Reproduced by permission.

Millington, Mark. From Gabriel Garcia Marquez: New Readings. Edited by Bernard McGuirk and Richard Cardwell. Cambridge University Press, 1987. © The Nobel Foundation, 1987. Reproduced with permission of the publisher and the author. Any reproduction or copying of this material in any format, beyond single copying by an individual for personal use, must first receive the written consent of Cambridge University Press.

Morley, Christopher. From an introduction to The Short Stories of Saki. By H. H. Munro. Viking Penguin, 1930. Copyright 1930, renewed 1957 by Viking Press Inc. Used by permission of Viking Penguin, a division of Penguin Books USA Inc.

Nabokov, Vladimir. From Lectures on Russian Literature. Harcourt Brace & Company, 1981. Copyright © 1981 by the Estate of Vladimir Nabokov. Reprinted by permission of the Literary Estate of Vladimir Nabokov.

Nance, William L. From The Worlds of Truman Capote. Stein and Day, 1970. Copyright © 1970 by William L. Nance. All rights reserved. Reproduced with permission of Stein and Day Publishers.

Naumann, Marina Turkevich. From Blue Evenings in Berlin: Nabokov's Short Stories of the 1920s. New York University Press, 1978. Copyright © 1978 by New York University. Reproduced by permission.

Neyenesch, John. From "On This Side of the Glass: An Analysis of Julio Cortàzar's 'Axolotl' " in The Contemporary Latin American Story. Edited by Rose S. Minc. Senda Nueva de Ediciones, Inc., 1979. © Montclair State College. Reproduced by permission of the author.

Oriard, Michael. From Sporting with the Gods: The Rhetoric of Play and Game in American Culture. Cambridge University Press, 1991. © Cambridge University Press 1991. Reproduced with permission of the publisher and the author. Any reproduction or copying of this material in any format, beyond single copying by an individual for personal use, must first receive the written consent of Cambridge University Press.

Panshin, Alexei. From Heinlein in Dimension: A Critical Analysis. Advent Publishers, 1968. Copyright © 1968, by Alexei Panshin. All rights reserved. Reproduced by permission of the author.

Papke, Mary E. From Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Contribution to Women's Studies, No. 119. Greenwood Press, 1990. Copyright © 1990 by Mary E. Papke. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

Peace, R. A. From The Voice of a Giant: Essays on Seven Russian Prose Classics. Edited by Roger Cockerell and David Richards. University of Exeter, 1985. © 1985 Department of Russian University of Exeter. Reproduced by permission.

Perluck, Herbert A. From " 'The Bear': An Unromantic Reading," in Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Edited by J. Robert Barth, S. J. University of Notre Dame Press, 1972. Copyright © 1972 by University of Notre Dame Press; Notre Dame, IN 46556. Reproduced by permission of the publisher.

Pohl, Frederick. From "One Day in the Life of Ivan Denisovich" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Politzer, Heinz. From Franz Kafka: Parable and Paradox. Cornell University Press, 1962. © 1962 by Cornell University Press. Renewed 1990 by Heinz Politzer. Used by permission of the publisher, Cornell University Press.

Proffer, Carl R. From Karamzin to Bunin: An Anthology of Russian Short Stories. Edited by Elizabeth Trahan. Indiana University Press, 1969. Copyright © 1982 by Ardis. Reproduced by permission of the Literary Estate of Carl R. Proffer.

Ragen, Brian Abel. From A Wreck on the Road to Damascus: Innocence, Guilt, & Conversion in Flannery O'Connor. Loyola University Press, 1989. Copyright © 1989 by Loyola University Press. Reproduced by permission.

Rait, A. W. From Prosper Mérimée. London: Eyre & Spottiswoode, 1970. © 1970 A. W. Rait. Reproduced by permission of the author.

Richman, Sidney. From Bernard Malamud and the Critics. Edited by Leslie A. Field and Joyce W. Field. New York University Press, 1979. Copyright © 1979 by New York University. Reproduced by permission.

Rose, Ellen Cronan. From "Through the Looking Glass: When Women Tell Fairy Tales" in The Voyage In: Fictions of Female Development. Elizabeth Abel, Marianne Hirsch, Elizabeth Langland, eds. University Press of New England, 1983. Copyright © 1983 by Trustees of Dartmouth College. All rights reserved. Reproduced by permission.

Ruddick, Lisa. From Reading Gertrude Stein: Body, Text, Gnosis. Cornell, 1990. Copyright © 1990 by Cornell University. Reproduced by permission.

Seyersted, Per. From Leslie Marmon Silko. Boise State University, 1980. Copyright 1980 by the Boise State University Western Writers Series. All rights reserved. Reproduced by permission of the publisher and the author.

Showalter, Elaine. From The Female Malady: Women, Madness, and English Culture, 1830-1980. Pantheon Books, 1985, Penguin Books, 1987. Copyright © 1985 by Elaine Showalter. All rights reserved. Reproduced by permission of the author.

Siegel, Paul N. From "Gimpel and the Archetype of the Wise Fool," in The Achievement of Issac Bashevis Singer. Edited by Marcia Allentuck. Southern Illinois University Press, 1969. Copyright © 1969, Southern Illinois University Press. All rights reserved. Reproduced by permission.

Skaggs, Merrill M. From Willa Cather: Family, Community, and History (The BYU Symposium). Edited by John J. Murphy with Linda Hunter Adams and Paul Rawlins. Brigham Young University Humanities Publications Center, 1990. Copyright © 1990, Brigham Young University. All rights reserved. Reproduced by permission of the publisher and the author.

Smith, Virginia Llewellyn. From Anton Chekhov and the Lady with the Dog. Oxford University Press, London, 1973. © Oxford University Press 1973. All rights reserved. Reproduced by permission.

Sutherland, Donald. From Gertrude Stein: A Biography of Her Work. Yale University Press, 1951. Copyright, 1951, by Yale University Press. Renewed 1979 by Donald Sutherland. All rights reserved. Reproduced by permission.

Tarrow, Susan. From Exile from the Kingdom: A Political Rereading of Albert Camus. University of Alabama Press, 1985. Copyright © 1985 by The University of Alabama Press. All rights reserved. Reproduced by permission.

Timmerman, John H. From The Dramatic Landscape of Steinbeck's Short Stories. University of Oklahoma Press, 1990. Copyright © 1990 by the University of Oklahoma Press. All rights reserved. Reproduced by permission.

Toor, David. From Fitzgerald and Hemingway Annual 1973. Edited by Matthew J. Bruccoli and C. E. Frazer Clark, Jr. Microcard Editions Books, 1974. Copyright © 1974 by Indian Head, Inc. All rights reserved. Reproduced by permission of the author.

Wagenknecht, Edward. From The Tales of Henry James. Frederick Ungar, 1984. Copyright © 1984 by Edward Wagenknecht. Reproduced by permission.

Wagner-Martin, Linda. From "Gilman's 'The Yellow Wallpaper': A Centenary," in Charlotte Perkins Gilman: The Woman and Her Work. Edited by Sheryl L. Meyering. UMI Research Press, 1989. Copyright © 1989 Sheryl L. Meyering. All rights reserved. Reproduced by permission of the author.

Walcutt, Charles Child. From "Sherwood Anderson: Impressionism and the Buried Life" in American Literary Naturalism. University of Minnesota Press, 1966. Reproduced by permission.

Ward, Alfred C. From Aspects of the Modern Short Story: English and American. University of London Press, Ltd., 1924. Reproduced by permission.

Ward, J. A. From American Silences: The Realism of James Agee, Walker Evans, and Edward Hopper. Louisiana State University Press, 1985. Copyright © 1985 by Louisiana State University Press. All rights reserved. Reproduced by permission.

Wasiolek, Edward. From Tolstoy's Major Fiction. University of Chicago Press, 1978. Reproduced by permission of The University of Chicago Press and the author.

Winner, Thomas. From Chekov and His Prose. Holt, Rinehart and Winston, 1966. Copyright © 1966 by Thomas Winner. All rights reserved. Reprinted by permission of the author.

Wood, Karen and Charles. From The Vonnegut Statement. Edited by Jerome Klinkowitz and John Somer. Dell Publishing Co., 1973. Copyright © 1973 by Jerome Klinkowitz and John Somer. Reprinted by permission of Dell Publishing Co., a division of Bantam Doubleday Dell Publishing Group, Inc.

Back to Top